In 2006, Critical Mass posted this excerpt from John Updike’s collection “Picked Up Pieces.” Not only have I never read better advice regarding reviewing, I hope to follow it in my future reviews. (However, after my recent travels I’m a bit ahead with my reviews and doubt I will re-write those I have completed). So, very soon I will try to abide by the following advice:
“My rules,” he writes, “shaped intaglio-fashion by youthful traumas at the receiving end of critical opinion, were and are:
1. Try to understand what the author wished to do, and do not blame him for not achieving what he did not attempt.
2. Give him enough direct quotation–at least one extended passage–of the book’s prose so the review’s reader can form his own impression, can get his own taste.
3. Confirm your description of the book with quotation from the book, if only phrase-long, rather than proceeding by fuzzy precis.
4. Go easy on plot summary, and do not give away the ending. (How astounded and indignant was I, when innocent, to find reviewers blabbing, and with the sublime inaccuracy of drunken lords reporting on a peasants’ revolt, all the turns of my suspenseful and surpriseful narrative! Most ironically, the only readers who approach a book as the author intends, unpolluted by pre-knowledge of the plot, are the detested reviewers themselves. And then, years later, the blessed fool who picks the volume at random from a library shelf.)
5. If the book is judged deficient, cite a successful example along the same lines, from the author’s ouevre or elsewhere. Try to understand the failure. Sure it’s his and not yours?
To these concrete five might be added a vaguer sixth, having to do with maintaining a chemical purity in the reaction between product and appraiser. Do not accept for review a book you are predisposed to dislike, or committed by friendship to like. Do not imagine yourself a caretaker of any tradition, an enforcer of any party standards, a warrior in an idealogical battle, a corrections officer of any kind. Never, never (John Aldridge, Norman Podhoretz) try to put the author “in his place,” making him a pawn in a contest with other reviewers. Review the book, not the reputation. Submit to whatever spell, weak or strong, is being cast. Better to praise and share than blame and ban. The communion between reviewer and his public is based upon the presumption of certain possible joys in reading, and all our discriminations should curve toward that end.”
Great advice, right?




“Detested reviewers” – wow. My pet peeve is that reviews are written on books not read or finished. I don’t know how many reviews I read of Roberto Bolano’s “2666″ and about 95% were clearly written by someone who did not read all five sections. I understand the time element – but with this particular book – the mark was missed by a mile.
I agree with just about everything that was mentioned in this piece from Critical Mass – For my podcast, I am limited by space because we need to keep it to a certain size and words=time=$$ – so I have to limit my reviews to 550 +/- words for a 3MB download. This can be quite a challenge! So I try to include my personal human response – guttural, emotional or cerebral – whatever it may be. This seems to work well for my listeners at least. A bit about the book – never giving anything away and then my response to it. If I have time for more about the author, or a quote – great. But most of the time, I’m pushing it just to fit within the criteria.
So while I appreciate formulae to review writing – I find the best approach is to just be yourself and write about the book. Don’t change what we love about you, Kristen!!
Thank you for your kind words and interesting insights, Cynthia!
Since I wrote just under a billion reviews before I left for Ethiopia, in anticipation of jetlag, catching up, etc… it will be a while before I write a “review according to John”
But I think you make a good point — we tend to find reviewers we trust or at least find compatible, and their emotional, human response is what we want!
Food for thought…
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